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Broadcasters at odds over te reo

3 Mar

This article has been sourced from The NZ Herald and was written by Adrian Evans. It was published online by the NZ Herald on January 7th, 2011. It is being shared with Vocal Space readers for its focus on (the differing approaches to) the maintenance of the Maori language in New Zealand.

They are two of the best Maori broadcasters in New Zealand.

One thinks te reo Maori should be compulsory in schools. One disagrees.

Maori presenters Julian Wilcox (Nga Puhi, Te Arawa, Tuwharetoa) and Scotty Morrison (Ngati Whakaue) have been among New Zealand’s leading Maori media voices for the past decade.

Not surprisingly, they’ve both got strong views on the best way forward to revive te reo Maori.

Maori Television presenter Wilcox firmly believes compulsory teaching of the Maori language in schools will ensure its longevity.

“Compulsory teaching of the language in school is an answer to its survival. The problem is not the notion of making it compulsory; the problem is the political will to do so.

“Do we have a Government that has the will to do it?” asks Wilcox. “No we don’t, and that’s the issue.

“Above and beyond all that, every single citizen has a responsibility to learn the language. I’m not saying we should all be proficient and we should all be competent but we all have a responsibility to learn the language in some way, shape or form.”

In contrast, Television New Zealand presenter Morrison believes resources would be better directed to communities wanting to learn te reo and that creating Maori-speaking communities should be the objective.

“It’s more beneficial to put all your energies into people who have shown some passion for the language. The problem with compulsion sometimes is that when you make something compulsory, people tend to resist and that can be more detrimental to te reo, rather than giving it the assistance that it needs,” Morrison said.

“The key, I think, to reviving the language and making it a language of everyday conversation is to build a critical mass of Maori language speakers and Maori-speaking families.

“Identify those that are more passionate about it and throw a lot of resources into building their capacity.”

Morrison and Wilcox are at the forefront of Maori news and recognise the responsibility of their role as broadcasters, while appreciating its many grammatical nuances.

“The position we have as broadcasters is a huge one because not only are we trying to show that the language is a contemporary language with contemporary usage, we have to show everyone out there that this language can be used here and now,” says Wilcox.

“This isn’t a museum language.”

For Morrison, years of experience tell him things could be better in Maori broadcasting and that the issue is not whether the language will survive but more a matter of how it survives.

Morrison wears many hats as an exponent of te reo. He presents daily on iwi station Radio Waatea, in the day he lectures at Auckland’s Unitec where he is an adjunct professor of the language, and in the afternoons he presents TVNZ’s Maori news programme Te Karere.

“There is some good Maori language programming but I think those organisations involved need to ask what the language quality is delivered by this programme.

“The main issue is not that it will survive, although it’s endangered, but it’s the quality of te reo that is the issue. And when you talk in terms of quality language speakers there are probably only a handful of expert speakers of a very high quality,” says Morrison, who is also a graduate of the elite Maori language programme Te Panekiretanga, run by Professor Timoti Karetu and Wharehuia Milroy.

When it comes to defining the importance of te reo Maori, Wilcox is adamant about its centrality within New Zealand’s cultural compass.

“In terms of New Zealand as a country, this is our defining face. Sir James Henare always said the language is the moko; the exterior symbol of who we are as a people.

“Therefore, the only thing that differentiates New Zealand from every other country in the world is things Maori.”

Wilcox says contemporary cultural icons like the number-eight fencing wire attitude, rugby and pavlova reveal little about who we are as New Zealanders and that the only true defining characteristic we share as a nation is Maori culture.

“What do we do when we go overseas? We do a haka and everybody knows we’re from New Zealand and that all stems from the language.”

Morrison accepts people will find challenges when learning te reo but that one way is to immerse oneself in a Maori environment.

“It takes a while, you’ve got to live it and get amongst the Maori community. Rub shoulders with your native speakers and the recognised experts because then you start to emulate their style.

“It even starts to change the way you think and see things because interpreting things in te reo is a lot different to how you would interpret something using the English language. And that’s where you get the breakthrough.

“Many learners of te reo simply translate their thoughts and sentences into Maori but that’s not entirely right because you’re still thinking in a Pakeha way. To fully appreciate and communicate in te reo Maori, one must learn how to overcome the challenge of thinking like a Pakeha and begin to think in a Maori way that understands and embraces a Maori worldview.”

Guwanyi – 3rd National Aboriginal Writers’ Festival

2 Mar

The NSW Writers' Centre

This month the 3rd National Aboriginal Writers’ Festival will be held at the NSW Writer’s Centre in Rozelle on March 19th. The all-day event, titled ‘Guwanyi’ which means ‘to tell’, celebrates the oral traditions and written influences of Aboriginal cultures on contemporary Australian society. Featured speakers include authors Dr. Anita Heiss, Peter Minter and Bruce Pascoe. The day covers topics such as:

  • A History of Aboriginal Writing
  • The Future of Indigenous Literature
  • Getting Indigenous Stories out there
  • Poetic Justice

The day commences at 10am and finishes with drinks ‘On The Veranda’ at 5-6pm. It will be a great place to hear from established authors and meet Australia’s emerging writing talent.

Maori Radio in Sydney

3 Feb

Listen Online: Radio Poihakena

World Music: Global Sounds in Australia

20 Dec

This is not so much a review as it is a note to self: Seth Jordan’s book on World Music in Australia is one I want to get a hold of. With various contributing authors, the book was launched by Sydney Morning Herald journalist Bruce Elder at Gleebooks last October. This is a book I need to get my hands on…

Melbourne Events 2011: Multicultural Film Festivals

8 Dec

Melbourne China Film Festival 5-14 Feb 2011

French Film Festival 9-27 March 2011

Audi Festival of German Films 2011 dates not available                                       – previously held in April/May 2010

Spanish Film Festival 2011 dates not available                                                             – previously held in May 2010

Human Rights Arts & Film Festival 2011 dates not available                             – previously held in May 2010

Melbourne Arab Film Festival 2011 dates not available - previously held in July 2010

Russian Resurrection Film Festival 2011 dates not available                            - previously held in August/September 2010

Lavazza Italian Film Festival 2011 dates not available                                             – previously held in September/October 2010

Hola Mexico Film Festival 2011 dates not available                                                   – previously held in October 2010

Serbian Film Festival 2011 dates not available                                                              - previously held in October/November 2010

Palestinian Film Festival 2011 dates not available                                                       – previously held in November 2010


Sydney Events 2011: Multicultural Film Festivals

8 Dec

2011

Sydney China Film Festival 5-14 Feb 2011

French Film Festival 8-27 March 2011

Audi Festival of German Films 2011 dates not available                                       – previously held in April/May 2010

Spanish Film Festival 2011 dates not available                                                             – previously held in May 2010

Human Rights Arts & Film Festival 2011 dates not available                             – previously held in May 2010

Sydney Arab Film Festival 2011 dates not available - previously held in July 2010

Canadian Film Festival 2011 dates not available                                                         – previously held in August 2010

Russian Resurrection Film Festival 2011 dates not available                            - previously held in August/September 2010

Sydney African Film Festival 2011 dates not available                                          - previously held in September 2010

Lavazza Italian Film Festival 2011 dates not available                                             – previously held in September/October 2010

Hola Mexico Film Festival 2011 dates not available                                                   – previously held in October/November 2010

Serbian Film Festival 2011 dates not available                                                              - previously held in October/November 2010

Palestinian Film Festival 2011 dates not available                                                       – previously held in November 2010


 

Volunteers Needed for Human Rights Arts & Film Festival

26 Aug

Australia’s Human Rights Arts & Film Festival (HRAFF) has a number of volunteer positions available for commencement in September 2010:

  • Event Coordinator 
  • Web Developer
  • Speakers Coordinator
  • Legal Officer
  • Secretary

These volunteer positions are based in Melbourne. Submissions of CV and Cover Letter due by 5pm 12th September 2010. Send to hr@hraff.org.au with Position Title in subject line. For more information and position descriptions check the HRAFF website.

Perth Multicultural Film Festivals – 2010 & 2011

26 Aug

Perth Multicultural Film Festivals in 2010 / 2011

Lavazza Italian Film Festival 14-28 October 2010

Hola Mexico Film Festival 17-24 November 2010

French Film Festival 23 March - 10 April 2011 (subject to change)

2009 Audi Festival of German Films in Australia (anticipated to take place in April/May 2011)

Revelation Perth International Film Festival (anticipated to take place in July 2011)

 

Movie Review: ‘The Banquet’ (2006)

2 Jun

The Banquet‘ ‘夜宴’ (2006) is a Chinese retelling of William Shakespeare’s ‘Hamlet’. Set in the 10th century, towards the end of the Qing Dynastie, it tells of the ill-fated love of crown prince Wu Luan for Xiao Wan.

The Movie is directed by Beijing-born Feng XiaoGang (冯小刚, Féng Xiǎogāng), who is reportedly now in production of ‘The Nobles’, a light-hearted and comedic change from the intense civil war-drama he directed last year (‘Assembly’, 2007). Actress Zhang Ziyi, whose latest movie ‘Mei Lanfang’ is due to be released this December, plays the role of Xiao Wan.

The set design and costuming are spectacular and the fight scenes are beautifully choreographed. While the movie is at times violent and bloody, its savagery has been so artistically depicted that it can only be said that the cinematographer, Zhang Li, has turned this movie into a stunning visual masterpiece.

More Chinese info on this movie

Adelaide Events 2009: Multicultural Film Festivals

10 Feb

2009

French Film Festival 26 March – 5 April 2009

Spanish Film Festival14-17 May 2009

Lavazza Italian Film Festival 2009 dates unknown (previously held in Sept/Oct 2008)

Serbian Film Festival 2009 dates unknown (previously held in Nov. 2008)

Hola Mexico Film Festival 2009 dates unknown (previously held in Dec. 2008)

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